這篇文章精闢描繪了現今台北市政府乃至於整個台灣對表演藝術的態度,卡勒看了既氣憤又無奈,在此翻譯分享給各位粉絲。希望我們都能盡微薄之力,慢慢改變台灣對藝術的看法。只有當我們能夠尊重一項專業時,它才能蓬勃發展,讓台灣發光。
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〈今天在公共場合發飆了〉
譯/卡勒
這是我第一次當眾情緒失控,氣到不行。
今天本來過得開開心心的,想說去參觀一下台北市街頭藝人考試,應該會更加愉快。到了國父紀念館,看見表演者都在各自的表演區準備就緒,感覺滿不錯的。直到我看到評審團的主審如何對待那些表演者,我就再也無法閉口不語。
我先說明一下這個考試:每位表演者都必須報名繳費,才能參加街頭藝人證照考試。他們有三分鐘的表演時間,希望能藉此獲得證照,就能靠自己的興趣來賺點小錢。但這位帶隊的評審(如照片所示)似乎很沒耐心。還不到一分鐘,他就硬生生打斷一個歌手的表演,說:「很多人都會唱不同語言的歌捏,像是英文歌啊什麼的。你唱一首來聽聽!」於是這個歌手開始唱台語歌。但才唱沒兩句,那位主審就和旁邊的評審交頭接耳,根本沒注意聽,接著他直接轉身離開,揮手示意其他評審跟上。
那個歌手根本唱不到一分半的時間(說好的三分鐘呢,不但沒有,還一直被這個評審打斷)。要記得:這個評審可是有領薪水的,是這些滿懷希望的表演者付錢請他來這邊看他們一展長才的。他基本上一再用同樣態度對待每個表演者,默視他們的用心與努力。連一句感謝的話也沒有說。他一副自己是大老闆的樣子,高高在上,俯視這些可悲的表演者。想聊天就聊天,想離開就離開,一聲「謝謝」、一個讚賞的手勢都沒有。一個鼓手在表演的時候一直被他打斷,說要「換點別的」。換了三次,他就頭也不回的走了。其他評審只是跟在他後頭,什麼也沒說。
於是,我走向前去,彬彬有禮的詢問他的大名和名片,告訴他希望未來能私下跟他一對一聊聊。他出言不遜,問我是什麼人。我能看出在他眼中,我這個年輕人不過就是個區區大學生。但我不是。我是個四十歲的舞蹈家、製片人,還是指導過全球各大名校與藝術節的教育家。
他不想給我他的名片。他似乎不太爽,而且很驚訝竟然有人會出聲。於是我說我可以留下自己的聯絡資訊,但我們需要好好討論一下剛剛的考核情形。
今天台北市政府審核表演者的方式,不僅不尊重,而且還嚴重侮辱了整個表演藝術圈。我不想把話說那麼白,但他讓我別無選擇。
我告訴他:第一,他對表演者的態度很不尊重。身為一個教育家,看到這種狀況,我是沒辦法保持緘默的。第二,這樣的審核流程對表演藝術社群很不公平。如果他不能把表演藝術者當作人看待,那他對藝術的看法又有何可取之處。我可以看出他氣炸了。但老話一句,他讓我別無選擇。他對待這些表演者的態度非常低劣。身為一個藝術家與藝術推動者,我必須有所行動。
承辦單位向我道歉,說考核必須繼續進行。我說我沒有要他們停下來的意思,只是想知道可以如何跟他們聯絡,討論這件事。跟我熟識的人,就會知道我是什麼個性。我這個人隨遇而安,幾乎不在公共場合發脾氣。但我今天所目睹的,對所有的表演藝術者來說都是天大的侮辱與蔑視。
這位高傲的評審完全不在乎我的意見。從他的眼神看得出來。基本上,他就是他自己所處世界的主宰,他說一,沒有人能說二。那就是他一貫的作風。在場的所有年輕員工都怕他。他今天表現這麼輕慢、無理、高傲,我真的很想知道他為什麼要這樣。
事後有幾個人走過來,感謝我勇於出聲抗議。他們其實也覺得很不滿,卻沒有勇氣對那個評審、或是對核發證照的單位表達意見。一名來自新北市的承辦人員說,看到表演者被如此對待,就連她自己也感到很不好受。
我不明白為什麼大家不站出來聲援彼此。台北市政府辜負了自己的市民,更是辜負了自己的表演藝術社群。
作為一個理應提倡藝術、文化與誠信的政府單位,他們今日的表現可說是慘不忍睹。這就像是叫貓、狗、鳥、猴來參加考試,然後告訴牠們考試內容是爬樹一樣。荒謬至極。
我留下聯絡資訊,他們說之後會跟我聯繫。如果他們沒這麼做,這就會成為我下一部製片計畫的主題,肯定很有意思。就拍一部紀錄片吧,拍攝一群滿懷希望與抱負的表演者受到何等對待的紀實。
我很抓狂,我很氣憤。真心希望他們能改變這般膚淺看待藝術的方式。
謝謝大家關注這個議題,我剛剛把評審的照片拿掉了,原因是我希望大家不要將這位評審當成壞人,而也我們把焦點專注在這個事件上,而不是人身上,我們才能真正長期的改善這個問題.因為我不會中文,所以我會和我的夥伴們一起再產出一篇更詳盡完整的中文文章,屆時也煩請大家一同關注,讓台灣的藝術環境更好,最好也謝謝幫我翻譯以下文章的朋友,我非常訝異這篇造成的影響力,感謝你們!
I CAUSED A SCENE TODAY IN THE PUBLIC
Today I got very angry and upset for the first time in public in front of a crowd.
What started out as a nice day, I thought it would only get better by attending the street performance artist's exam in Taipei. Everything seemed nice when I saw the performers were all prepared in their provided locations around the Sun Yat Sen Memorial Hall. But after I saw the head of the judge panel treated the street performers while performing, I couldn't keep my mouth shut.
Let me explained: each performer had to pay to register for the license exam. They were given 3 minutes to present their work(s) hoping they'd get a lisence so they can earn some sort of living from their passion. This one particular judge (pictured) leading the group seems impatiently listen and watch the street performers. It barely hit the one minute mark, he aggressively cut into the song of a singer and told the performer "many singers sing in different languages like English etc, sing in another language!"(I paraphrased with my bad Chinese translation). Then the singer started singing in Taiwanese language. But barely two sentences, he talked to another judge barely paying attention to the performer this head judge basically just left and gestured to the rest of the group to follow him.
The singer sang barely a minute and a half (they were promised 3 mins and they kept being interrupted by this judge). Bare in mind, this judge is earning a wage while these hopeful performers were paying him to be there. He basically did the same thing over and over again disregarding the artist's intent and hard work. Not a single word of appreciation. He just acted as he was a big boss looking down on these petty performers. He chatted as he wished and walked away without saying a "thank you" or a gesture of acknowledgement. A percussionist kept being interrupted asking him to do something different. Then he just left after the third time. The rest of the judges just followed.
So, i approached him politely asking for his name and his business card. I told him I wanted to talk to him one on one in the future. Degradingly he asked me who I was. I could see in his eyes that he saw a young man who looked like a student to him. But I was not and am not. I am a 40 year old dance artist, filmmaker and educator that have taught around the globe and in many prestigious colleges and festivals.
He didn't want to give me his business card. He seemed annoyed and surprised that someone spoke up. So I said I can give him my contact info but we needed to talk on how the exam went.
The way Taipei city exams the performers today was both disrespectful and insulting to the arts community in general. I didn't want to say this all out. But he left me with no choice.
I told him, for one, the way he treated the performers was disrespectful. As an educator I could not be quiet when I see something like that. Second, the process of the exam is not doing the art community any justice. If he cannot see the artists as a human being first, then what does it say about his view on the Arts. I could see him pissed off. But again he left me with no choice. He was very degrading towards these performers. As an artist myself and an art advocate I had to do something.
The organizer apologized to me said the process needed to go on. I told him I wasn't trying to stop them. I merely want to know how I could get in touch with them to discuss this. If you know me well enough, you should know my temperament. I am a happy go lucky person. I almost never get angry in the public. But it was genuinely insulting and degrading to every artists based on what I saw today.
This arrogant judge didn't care of my opinion. I could see it in his eyes. He was basically the superior in his world and his way was the right way. That's how he had always done it. All the young staffers there were afraid of him. Today he was disrespectful, rude, and arrogant. I really want to know why he does what he does.
After the incident, a few people came up and thanked me for speaking up. They felt the same way but they didn't have the courage to say it to this judge or the organization that issues these licenses. One organizer from the New Taipei City said even she felt bad seeing how the performers being treated.
I don't understand why people don't stand up for each other. The Taipei City has failed their community and even more so to their arts community.
For an organization that is supposed to advocate for the arts, culture and authenticity, they did miserably today. It is like giving an exam to a dog, a cat, a bird and a monkey then telling them that their exam is climbing a tree. It's absolutely ridiculous.
I left them my contact information. They said they will contact me. If they don't, this could be an interesting subject for my next film project. A documentary on how these hopeful, aspiring performers being treated.
I am mad and I am angry. I really hope they will change their shallow way of seeing Arts.
P.S. Share or repost in Chinese. They need to change. Thanks.
台北國際藝術村-寶藏巖 Taipei Artist Village-Treasure Hill
Taipei National University of the Arts
臺北表演藝術中心 Taipei Performing Arts Center
National Theater and Concert Hall, Taipei
中正紀念堂 Chiang Kai-shek Memorial Hall
National Taiwan University of Arts
同時也有1部Youtube影片,追蹤數超過38萬的網紅CH Music Channel,也在其Youtube影片中提到,《daydream》 蝶々結び / Chouchou Musubi / 蝴蝶結 / A Butterfly Bow 作詞 / Lyricist:野田洋次郎(RADWIMPS) 作曲 / Composer:野田洋次郎(RADWIMPS) 編曲 / Arranger:野田洋次郎(RADWIMPS) 吉他...
shut up英文歌 在 CH Music Channel Youtube 的最佳貼文
《daydream》
蝶々結び / Chouchou Musubi / 蝴蝶結 / A Butterfly Bow
作詞 / Lyricist:野田洋次郎(RADWIMPS)
作曲 / Composer:野田洋次郎(RADWIMPS)
編曲 / Arranger:野田洋次郎(RADWIMPS)
吉他&和聲 / Guitar & Chorus:ハナレグミ
歌 / Singer:Aimer
翻譯:澄野(CH Music Channel)
意譯:CH(CH Music Channel)
English Translation:Toria
背景 / Background - この蒼くて広い世界に - てる :
https://www.pixiv.net/artworks/58935050
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Copyright Info:
Be aware this channel is for promotion purposes only without any illegal profit. All music's ownership belongs to the original creators.
Please support the original creator.
すべての権利は正当な所有者/作成者に帰属します。あなたがこの音楽(または画像)の作成者で、この動画に使用されたくない場合はメッセージまたはこのYoutubeチャンネルの概要のメールアドレスにご連絡ください。私はすぐに削除します。
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If you like my videos, please click like and subscribe! Thx :)
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中文翻譯 / Chinese Translation :
https://home.gamer.com.tw/creationDetail.php?sn=4885129
英文翻譯 / English Translation :
https://www.lyrical-nonsense.com/lyrics/aimer/chouchou-musubi/
日文歌詞 / Japanese Lyrics :
片っぽで丸を作って しっかり持ってて
もう片っぽでその丸の後ろを ぐるっと回って
間にできたポッケに入って 出て来るの待ってて
出てきたところを迎えにきて 「せーの」で引っぱって
はじめはなんとも 情けない形だとしても
同じだけ力を込めて
羽根は大きく 結び目は固く
なるようにきつく 結んでいてほしいの
腕はここに 想い出は遠くに
置いておいてほしい ほしいの
片っぽでも引っ張っちゃえば ほどけちゃうけど
作ったもの壊すのは 遥かに 簡単だけど
だけどほどく時も そう、ちゃんと 同じようにね
分かってるよ でもできたらね 「せーの」で引っ張って
ほどけやしないように と願って力込めては
広げすぎた羽根に 戸惑う
羽根は大きく 結び目は固く
なるようにきつく 結んでいてほしいの
夢はここに 想い出は遠くに
気付けばそこにあるくらいがいい
黙って引っ張ったりしないでよ 不格好な蝶にしないでよ
結んだつもりがほどいていたり 緩めたつもりが締めていたり
この蒼くて広い世界に 無数に 散らばった中から
別々に二人選んだ糸を お互いたぐり寄せ合ったんだ
結ばれたんじゃなく結んだんだ 二人で「せーの」で引っ張ったんだ
大きくも 小さくも なりすぎないように 力を込めたんだ
この蒼くて広い世界に 無数に 散らばった中から
別々に二人選んだ糸を お互いたぐり寄せ合ったんだ
結ばれたんじゃなく結んだんだ 二人で「せーの」で引っ張ったんだ
大きくも 小さくも なりすぎないように 力を込めたんだ
中文歌詞 / Chinese Lyrics :
將一端圍成一個圓,緊緊握住
再將另一端繞過那圓,轉一圈
穿進間隙中的洞口,等著它繞過來
在穿出來的洞口接住,念出「一、二」之後拉緊
即使剛開始,只能做出慘不忍睹的形狀
只知道兩手要用一樣的力氣
我希望翅膀能大一點、結能打得更緊一點
為了打出漂亮的蝴蝶結,希望你繫得更緊,越緊越好
希望你能為我握起繩結,而回憶則放在那方——
過去的回憶留在遙遠的那方就好
儘管只拉起一端,繩結便會輕易解開
儘管破壞總是遠比創造來得容易
但是在解開繩結的時候,是啊,也是同樣的道理
我明白的,但如果可以的話,希望能一同念出「一、二」之後拉開
若為使繩結不會鬆開,而用盡全力的話
只會對展開太大的翅膀感到不知所措
我希望翅膀能大一點、結能打得更緊一點
為了打出漂亮的蝴蝶結,希望你繫得更緊,越緊越好
希望你仍能抱持夢想,而回憶則留在那方——
一回過頭便能憶起的距離就好
別坑不作聲地拉緊、也不要綁出不好看的蝴蝶結
以為綁緊了卻不經意鬆開;以為鬆脫了卻不經意拉緊
在蒼穹無垠世界裡,數不清且散落各地的線繩中
兩人循著各自選下的繩線,向著彼此靠近
聯繫彼此的線並不是被迫牽起,而是由兩人綁上——由兩人一同念出「一、二」之後拉緊的
希望它不會太大、也不會太小,由兩人一起,共同將繩結繫緊
在蒼穹無垠世界裡,數不清且散落各地的線繩中
兩人循著各自選下的繩線,向著彼此靠近
聯繫彼此的線並不是被迫牽起,而是由兩人綁上——由兩人一同念出「一、二」之後拉緊的
希望它不會太大、也不會太小,由兩人一起,共同將繩結繫緊
英文歌詞 / English Lyrics :
Take one end, and make a circle—now hold it tight
Take the other end and wrap it around behind the circle
Pass it through the pocket formed in the middle, and wait for it to come back out
Go out to meet it—And with a one, two, pull the strings tight
At the beginning, it came out so pathetically
But even still, I put the same strength into it
I want to tie it tight
So that the loops would be big, and the knot would be tight
I want you, I want you
To put your arm here, and your memories far away
Even though if you pull on only one end, it’ll come untied
It’s so, so very easy to break what someone’s made
Yet that’s how it is when you untie it, it’s exactly the same
I know that’s how it goes, but once I finish it—With a one, two, I’ll pull the strings
Praying that it wouldn’t come untied, I put some strength into it
And became transfixed by the loops that I had pulled too far out
I want to tie it tight
So that the loops would be big, and the knot would be tight
So that your dreams are here, and your memories far away
If you realize it, I’m fine with you just being there
Just shut up, don’t pull on them; don’t make the strings into a lopsided butterfly
I meant to tie them, but they’re becoming loose; I meant to loosen them, but they’re becoming tight
From all the countless and scattered contents of this blue, wide world
The two of us chose the same thread independently and reeled each other in
We weren’t tied to each other, we tied ourselves to each other—With a one, two, we pulled the strings
So that they wouldn’t be too loose, or too tight, we put our strength into it